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Locast Plans to Appeal Crippling Court Loss, But Service Shuttered for Now

Phillip Dampier September 2, 2021 Competition, Consumer News, Locast, Online Video 5 Comments

Locast, like Aereo and Ivi before it, has ceased streaming local, over the air television signals on a non-profit basis after a New York federal court judge ruled the service is violating U.S. copyright law by receiving more funding than it needs. But in developments this afternoon, there is word an appeal is planned.

Since January 2018, Locast has attempted to provide its service legally by operating as an independent “translator service,” extending streams of over-the-air signals to viewers within the acknowledged viewing range of the stations. Locast used geofencing technology to block more distant viewers, and sought support for its service with a suggested contribution of $5 a month. Non-paying viewers were nagged with donation request messages that interrupted each stream every 15 minutes.

Despite its limited service areas, Locast amassed over 3 million regular users in its 36 served TV markets over the last three years. That growth represented a threat to lucrative retransmission fee revenue collected by TV station and network owners, who promptly sued Locast in federal court in 2019. A part of that lawsuit was decided Tuesday in favor of the broadcasters.

Judge Louis L. Stanton rejected Locast’s claim it was exempt from Section 111 (a) (5) of the U.S. Copyright Act, which allowed it to stream over the air signals without getting permission from those stations in advance. That section of the Copyright Act was designed to provide a loophole for independent non-profit translator stations, which in some rural areas pick up difficult to receive TV stations and rebroadcast them locally on other channels. Some of these translator operations existed before the days of cable and satellite television, and well before the internet as we know it ever existed. But many of these services were provided through low-power transmitters operated inside large apartment complexes or hotels for the enjoyment of tenants or guests. The Copyright Act allowed groups to retransmit TV signals as long as they lacked “direct or indirect commercial advantage” and did not charge viewers in excess of the “actual and reasonable costs of maintaining and operating the secondary transmission service.”

What got Locast in trouble with the judge is the fact the service nagged viewers to make $5 donations if they wanted the nagging messages to end, and those contributions delivered healthy revenue to Locast of $4.51 million in 2020, while the costs to provide the service were just $2.43 million that same year.

“On those undisputed facts, in 2020 Locast made far more money from user charges than was necessary to defray its costs of maintaining and operating its service,” Judge Stanton wrote. Stanton also rejected arguments that excess revenue was used to expand Locast into new markets, claiming the law was quite clear limiting charges only to the “actual and reasonable costs” incurred providing the service, not for expanding it. Stanton ruled Locast could not charge viewers to raise funds to expand into new markets. Had Judge Stanton accepted Locast’s argument that it was pouring excess revenue into expanding its service, not to make a profit, the broadcaster’s legal case could have been seriously weakened and Locast would have continued operating pending the final disposition of the lawsuit.

Instead, perhaps bowing to the court’s judgment that Locast’s contribution system was hampering its case, last evening Locast notified users it was suspending requests for contributions aired every 15 minutes, and hoped supporters would continue contributions anyway. But early this morning, Locast went further and announced the immediate suspension of its video streaming service.

In an e-mail to supporters, Locast announced:

We are suspending operations, effective immediately.

As a non-profit, Locast was designed from the very beginning to operate in accordance with the strict letter of the law, but in response to the court’s recent rulings, with which we respectfully disagree, we are hereby suspending operations, effective immediately.

Thank you.

Judge Stanton

The Electronic Frontier Foundation (EFF), which has supported Locast with legal assistance in this case, criticized the judge’s ruling.

“We are disappointed that the court ruled against Locast on its copyright defense,” the EFF said in a statement. “The court interpreted the law in an artificially narrow way. Congress wrote copyright’s nonprofit retransmission exception to make sure that every American has access to their local broadcast stations, and expanding access is exactly what Locast does.”

The EFF said Judge Stanton’s ruling may not be the end of Locast, however.

“Locast has decided to suspend its operations. The case will continue, likely including an appeal, to resolve the remaining issues in the case. The problem remains: broadcasters keep using copyright law to control where and how people can access the local TV that they’re supposed to be getting for free,” a lawyer at the EFF said in a statement.

Theoretically, Locast could be restructured to spin off each of its markets into independent non-profit entities responsible for raising funds to maintain current operations and possibly be found “legal” under the U.S. Copyright Act provisions. New markets could be launched independently as well, starting with fundraisers to launch the service and then additional fundraising to maintain each operation.

Any legal appeal would likely be based on Stanton’s determination that “expansion” was disallowed under the Copyright Act, even though most non-profit entities raise funds to expand their operations all the time.

But for now, Locast will likely remain dark until the remaining legal issues are settled or determined.

T-Mobile Introduces New Suite of Cord-Cutter Streaming TV Options Starting at $10/Month

After months of testing, T-Mobile’s streaming TV service TVision will debut for some existing T-Mobile wireless customers on Nov. 1, with three packages starting at $10/month.

Although late to the already-competitive cord-cutting streaming TV marketplace, T-Mobile hopes to shake up the market with more choices and, in some cases, lower pricing.

“People sure love TV — but they sure don’t love their TV provider,” T-Mobile CEO Mike Sievert said during a livestream previewing the TVision service. Sievert claimed the cable and satellite TV customers are fed up being ‘held hostage’ by programming lineup choices made by everyone but the customer, leaving consumers with costly bundles containing “live news and sports with hundreds of other channels you don’t want. Get ready to un-cable, everybody.”

The service will initially be available Nov. 1, but only to T-Mobile postpaid wireless customers. By the end of November, Sprint postpaid customers will also be invited to sign up. Prepaid T-Mobile and Sprint customers are expected to have access to the service sometime in 2021, along with those who do not have a T-Mobile or Sprint account. Non-customers will pay an undetermined surcharge.

TVision’s Android TV device, with remote control.

Details:

TVision will be available for streaming through apps on iOS, Android/Android TV, Amazon Fire TV, and Apple TV. It is currently not available on the Roku platform. Customers can also purchase a TVision Hub, a $50 Android TV device that plugs into an HDMI port on the back of your television to bring the streaming service to traditional television sets, along with a platform to use over 8,000 apps that already work with Android TV, including competing streaming services like Netflix, Hulu, YouTube and CBS All Access.

Special Offer:

New customers who sign up for Live TV Plus or Live Zone by Dec. 31, 2020 will receive 12 months of free Apple TV Plus service and an $80 rebate offer for the Apple TV 4K set-top box (retails at $179, but will cost $99 after rebate).

Available Packages:

T-Mobile’s philosophy is that customers want to choose between packages containing general entertainment fare, news and sports, local TV, and premium channels. The more categories you want, the higher the price. If you want all four, you are likely going to pay pricing rivaling what you already pay your current provider. True, a-la-carte packages allowing customers to select specific channels is not available. T-Mobile currently has no agreement with CBS, so this means CBS network programming and local affiliates are not accessible on TVision at this time. The three higher priced Live packages include 100 hours of DVR cloud-based recording.

TVision Vibe (general entertainment) ($10/mo for 30 channels, up to 2 concurrent streams): AMC, Animal Planet, BBC America, BBC World News, BET, BET Her, CMT, Comedy Central, Discovery, DIY, Food Network, HGTV, Hallmark Channel, Hallmark Movies & Mysteries, Hallmark Drama, IFC, ID, MotorTrend, MTV, MTV Classic, MTV2, Nickelodeon, Nick Jr., Nicktoons, OWN, Paramount Network, Sundance, Teen Nick, TLC, Travel Channel, TV Land, WEtv

TVision Live (emphasizing live news and local stations) ($40/mo for 30+ channels, up to 3 concurrent streams) Does not include networks from the Vibe package, which has to be purchased separately): ABC*, ABC News Live, Bravo, CNBC, Cartoon Network/Adult Swim, CNN, Cozi TV, Disney Channel, Disney Jr., Disney XD, E!, ESPN, ESPN2, Fox*, Fox Business Network, Fox News Channel, Freeform, FS1, FS2, FX, FXX, HLN, MSNBC, National Geographic, NBC*, NBC News Now, NBC Sports Network, Oxygen, Syfy, TBS, Telemundo*, TNT, truTV, USA

TVision Live Plus (enhances live sports options) ($50/mo for 40+ channels, up to 3 concurrent streams): Includes all channels from TVision Live package plus ACC Network, Big Ten Network, ESPNews, ESPNU, ESPN College Extra, FXM, Longhorn Network*, NatGeo Wild, NBC regional sports networks*, NECN*, NFL Network, Olympic Channel, SEC Network, SNY*, TCM, Golf Channel

TVision Live Zone (brings even more live sports and Spanish language networks) ($60/mo for 50+ channels, up to 3 concurrent streams): Includes all channels from TVision Live Plus package plus Boomerang, CNBC World, ESPN Deportes, Fox Deportes, NFL RedZone, Universal Kids, Universo, MavTV

A-la-carte premium channels:

  • Starz ($8.99 per month): 28 channels
  • Showtime ($10.99 per month): 16 channels
  • Epix ($5.99 per month): 4 channels

(*-may not be available in all TV markets. For exact TV lineup in your area, visit here.)

T-Mobile’s CEO Mike Sievert announces TVision, the company’s new streaming TV service. (3:19)

Streaming Flop Quibi Closing Down After Burning Through $1.75 Billion of Investors’ Money

Phillip Dampier October 21, 2020 Consumer News, Online Video Comments Off on Streaming Flop Quibi Closing Down After Burning Through $1.75 Billion of Investors’ Money

Quibi is closing down its streaming service in the next several weeks, sources told the Wall Street Journal this afternoon, after spending $1.75 billion of investors’ money and attracting few subscribers and a lawsuit.

The service, founded by Hollywood mogul Jeffrey Katzenberg, never found a footing in the highly competitive streaming business, and has been plagued with problems since its April debut. Katzenberg envisioned the service as a home for short-form video entertainment — typically 5-10 minute chapters of professionally produced shows, designed to be watched by people on the go. Quibi was specifically developed for smartphone viewing, which meant producers had to create shows specifically for small screens. For technical reasons, Quibi was difficult to view in-home.

Katzenberg argued the service would fill a streaming niche for people looking for short video fixes instead of long form programming, arguing highly produced shows would attract a different audience than amateur short-form clips from services like YouTube.

Then the COVID-19 pandemic hit in March, forcing most would-be Quibi subscribers into home lockdown for school and work. It could not have come at a worse time for Quibi. Soon after debuting, scathing reviews about the quality of some Quibi productions were also published, further deterring would-be customers.

Quibi’s advertising partners, which included Pepsi and Walmart, were patient with the service, but after six months of low viewer numbers, many advertisers began deferring payments on their combined commitment of $150 million in advertising.

Also in early March, a patent infringement lawsuit over Quibi’s Turnstyle feature, which lets viewers watch video horizontally or vertically on their devices and rotate between those positions without disrupting the experience, was filed by Eko, which claimed it invented and patented the technology and saw its work stolen by Quibi employees. Although Quibi won a motion to limit the lawsuit, litigation was expected to continue in a California court.

Over the summer, media reports noted 90% of free trial subscribers canceled their subscription before charges began, revealing Quibi had just 72,000 paid subscribers willing to spend $4.99 a month, a fraction of the tens of millions of subscribers other streaming platforms have attracted.

The Journal reported on Wednesday that Quibi founder Jeffrey Katzenberg called investors to tell them he is shutting the service down. A restructuring firm hired to examine options for the streaming platform reportedly made several recommendations to Quibi’s board of directors, but it seems a complete shutdown was chosen as the best option.

Peacock Launches on Roku After NBCUniversal Reaches Agreement

Phillip Dampier September 21, 2020 Competition, Consumer News, Online Video, Peacock 1 Comment

NBCUniversal’s Peacock streaming service app is now finally available on Roku devices and Roku-enabled televisions, almost 10 weeks after the new streaming service launched.

Peacock’s appearance on Roku came after NBCUniversal and Roku reached a deal guaranteeing NBCU’s networks (and corresponding apps for 11 NBCU networks, 12 NBCU-owned local stations, and 23 Telemundo-owned local stations) will remain available on the Roku platform and in return, Roku will support Peacock. The deal was seen as crucial by analysts, because Roku has an installed user base of over 43 million accounts, with an estimated 100 million viewers in households across the country.

“We are pleased that NBC agreed to a very positive and mutually beneficial partnership to bring Peacock to America’s No. 1 streaming platform,” said Tedd Cittadine, Roku’s vice president of content acquisition. “We are excited by the opportunities to integrate NBC content within the Roku Channel while we also work together with Peacock on the development of a significant and meaningful advertising and ad tech partnership. This is a great outcome for consumers and we look forward to growing together with Peacock as they bring their incredible content to the Roku platform.”

Roku is also pleased whenever a significant content provider signs a deal with the company. Roku traditionally takes a 20% cut of all subscription revenue when a customer signs up for a service on the Roku platform. It receives at least 30% of the advertising time on free streaming services, allowing Roku to sell advertising and keep the money. NBCU appeared to be reluctant to accept those terms, and that is likely what caused the delay in debuting Peacock on Roku. Neither party would disclose the terms in the contract. Comcast is the parent company of NBCU.

Comcast CEO Brian Roberts said last week Peacock had signed up at least 15 million new users over the last two months. But Roberts would not disclose how many were actually paying for the service. Peacock’s free, ad-supported tier offers over 13,000 hours of classic and current NBC programs, including entertainment, news, and sports. A small catalog of original series and other premium content is also available for $4.99 a month (or $49.99/yr), and users who want it all — without ads — can pay $9.99 a month (or $99.99/yr). Roberts likely needs a much larger subscriber base to make Peacock a viable proposition, making its availability on the Roku platform crucial.

Some analysts fear carriage disputes like this could open a new front in the “retransmission consent” wars, where national and local networks are blacked out when cable or satellite providers refuse to pay their asking prices. If Roku insists on being compensated in return for making services available in its app store and if content providers cannot reach an agreement, services could suddenly disappear, or never appear at all. HBO Max is still unavailable on Roku because parent company AT&T has yet to sign a contract with Roku, and Peacock remains unavailable on Amazon’s Fire TV platform and Samsung’s Smart TVs.

Comcast Launches Peacock TV With Plenty to Watch for Free

Phillip Dampier July 15, 2020 Comcast/Xfinity, Consumer News, Online Video, Peacock, Reuters Comments Off on Comcast Launches Peacock TV With Plenty to Watch for Free

(Reuters) – Comcast-owned NBCUniversal entered a crowded streaming market today by launching its Peacock streaming service nationally, offering 20,000 hours of content, including NBC shows such as “30 Rock,” “Cheers” and “Saturday Night Live.”

The service, which became available to some Comcast subscribers in April, is the media giant’s effort to offset declines in Comcast’s cable TV business – while finding a new way to monetize NBC and Universal content and maintain demand for the company’s broadband business, which powers streaming services.

Peacock will include a mix of NBC series, sports, news and original shows – such as the dystopian drama “Brave New World” and documentary “In Deep with Ryan Lochte” – as well as content it licenses from ViacomCBS and other networks and studios.

The service will also be available on Sony’s PlayStation 4 gaming console from July 20, Peacock said on Tuesday.

Unlike the majority of its streaming rivals, Peacock is offering a free, ad-supported version, which will include 13,000 hours of programming. NBCUniversal hopes to lure advertisers through the vast amounts of data it can use to target commercials based on viewers’ interests, including data from Comcast’s cable TV set-top boxes.

Peacock also has two paid options: a $4.99 per month service with commercials and 20,000 hours of programming; and an ad-free version costing $9.99 per month.

NBCUniversal missed the opportunity to market Peacock during its broadcast of the Tokyo Summer Olympics, which were postponed due to the coronavirus outbreak. And as the last entry to the streaming war, Peacock will be competing for streaming dollars with services such as Netflix, Walt Disney-owned Disney+ and Amazon.com’s Amazon Prime Video.

But Peacock’s free option could be a draw for viewers who have already maxed out their monthly entertainment budgets, at a time when U.S. viewers stuck at home are hungry for more content.

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