MeTV is getting some quasi-competition starting in the second quarter of next year as CBS and Weigel Broadcasting launch “Decades,” a new over-the-air television network that CBS is calling “the ultimate TV time capsule.”

The new network will launch as a digital sub-channel on many CBS-owned local television stations:

• KCBS Los Angeles
• KOVR Sacramento
• KPIX San Francisco
• KCNC Denver
• WFOR Miami
• WTOG Tampa/St. Petersburg
• WBBM Chicago
• WJZ Baltimore
• WBZ Boston
• WWJ Detroit
• WCCO Minneapolis
• WCBS New York
• KYW Philadelphia
• KDKA Pittsburgh
• KTVT Dallas

Weigel will handle affiliation agreements with non-CBS owned stations, most likely CBS affiliates owned by other companies. Weigel already programs MeTV, so the two networks will probably avoid direct duplication of each other, but the formats are expected to be similar.

The agreement gives Weigel expanded access to CBS’ library of produced and acquired classic television shows including I Love Lucy, Star Trek, Cheers, Happy Days and other shows generally out of syndication. Decades will also feature some original programming, such as Decades Retrospectical, that will include clips from CBS News and Entertainment Tonight.

“Decades takes the digital broadcast network platform to a new level,” said Norman H. Shapiro, president of Weigel. “Viewers will ‘Relive, Remember & Relate’ to the events that touched their lives and generations past. The events, themes and programming possibilities are endless.”

“Decades is the most ambitious and creative subchannel programming service that has ever been created,” said Peter Dunn, president, CBS Television Stations. “We are thrilled to partner with Weigel Broadcasting, the leaders in this space, to make smart use of our stations’ spectrums and our companies’ considerable programming assets. This service will be a tremendous new business for CBS and all of the other stations across the country that participate, regardless of their primary network affiliation.”

Decades is CBS’ first serious move into supporting digi-nets on its stations. CBS has been reluctant to allow digital subchannels, which can compromise the picture quality of its primary 1080i HD signal. But as digital compression technology has advanced, the network’s concerns have eased.

Decades will join Antenna TV, Cozi TV, Me-TV, and Retro TV, all of which focus heavily on classic TV shows, as well as This TV, FamilyNet, Bounce TV, and INSP, which also air some classic TV shows.

The growth in digi-nets may be waning, however. In late September, Weigel’s new Heroes & Icons channel devoted to crime and action shows like Cannon, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, The Wild Wild West, and Wagon Train only managed to pick up a small handful of affiliates, mostly Weigel-owned stations in the midwest. An ambitious project to launch four classic TV channels under the QUAD TV banner – one each for shows from the 60’s, 70’s, 80’s, and 90’s, was put on indefinite hold in August. The owners blamed uncertainty owing to the proposed merger of Comcast and Time Warner Cable, but the more likely reason is difficulty securing affiliate and carriage agreements at a time when rate sensitivity on cable and channel space on broadcast television are major concerns.

An ad in the Syracuse Post-Standard announces a new invention -- a variation on the bow tie antenna design originally designed in the 1950s.

Last Thursday, Syracuse newspaper readers were treated to news of an impressive breakthrough that promises to deliver salvation from high cable and satellite TV bills forever.

Clear Cast, a “razor thin” indoor digital HDTV antenna lets you watch television… for free.

The product is shown being packaged up for shipping while an impatient-looking FedEx driver tries to coordinate the apparent extraordinary demand for a downright revolutionary development in television engineering.

Local residents called the newspaper and other local news outlets to try and learn more about the curious new device.

Stop the Cap! can now report the revolution can be postponed.

In fact, the published account  about the “new invention” was actually a paid advertisement-designed-to-look-like-a-news-story.  Clear Cast is effectively a variation on the traditional indoor UHF bow tie antenna your local Radio Shack used to sell for $1.49.  The major difference is that it is designed to be attached to a window with accompanying suction cups.  That is a valid approach to improving reception, but whether it is worth the asking price of $38 is another matter.

As consumers seek alternatives to higher cable and satellite TV bills, overhyped ad copy promising freedom from high bills cannot be far behind.  Repackaging basic antennas that were part of our lives from the 1950s-on can go too far when leaving some residents with the impression they are getting more than a basic television antenna.

In fact, over-the-air viewing can be easily accomplished in strong signal areas with the cheapest antenna, as long as it is designed for both VHF and UHF reception.  Many VHF stations with channel numbers from 2-13 quietly relocated to the UHF dial, but still advertise their original channel numbers.  If your television is not equipped with a UHF antenna, reception may be difficult.

For the benefit of those under the age of 40: most televisions used to come equipped with both antenna designs — two elongated antenna rods some used to call “rabbit ears” and an accompanying round loop antenna, or often a bow tie design that clipped to one of the two longer aerials.  The long straight antennas are designed for VHF signals, the bow tie or loop design accommodated improved UHF reception.

Over the last decade, marketing has attempted to revolutionize what remains basic, sober, antenna design — with an accompanying “revolutionary” price tag.  When satellite television was first introduced, some manufacturers redesigned set top aerials to look like a satellite dish and then pitched them as “saving you the high price of satellite TV because it is not satellite!”  In today’s HD-ready era, marketers have done it again.

Will Clear Cast work?  Undoubtedly, but probably not much better than any other traditional bow tie design that costs $35 less.

If you are cutting cable’s cord and want to rely on over-the-air television, our best advice is to start with something inexpensive and upgrade only when necessary.  In urban and suburban areas, an effective indoor antenna can cost less than $5.  Try repositioning it until you find the best spot to receive the most channels with the least signal reception errors.  Directional indoor antennas can offer mild signal improvement, especially in areas where adjacent signals from nearby cities create reception problems.  Because the American digital broadcast standard is frankly less robust than the European counterpart, those in more distant suburbs or rural areas will really need to invest in a rooftop antenna to enjoy consistent reception.  A potential compromise would be to mount an outdoor antenna in the attic.

Avoid “futuristic” designs and powered indoor antennas and read consumer reviews carefully.  We’ve found most indoor antennas priced above $35 to be more hype than performance-per-dollar.  If you need an outdoor antenna, check your local Yellow Pages for antenna specialists who understand local reception conditions and can recommend high quality, long lasting antennas that will work for the stations you want to receive.

[flv width=”480″ height=”290″]http://www.phillipdampier.com/video/WSYR Syracuse Newspaper ad for free TV The Real Deal 12-15-11.mp4[/flv]

WSYR in Syracuse investigates the ‘revolutionary’ new indoor TV antenna that is so popular, only residents in certain zip codes can order it.  (2 minutes)

Sezmi set top DVR box, antenna, and remote control

While most of the pay television industry forces huge basic cable packages on subscribers containing dozens of channels never watched, an innovative California company thinks it has the perfect solution for those who want to cut cable’s cord but still keep some of their favorite cable channels.

Sezmi combines a super-sized 1 terabyte DVR set-top box ($149.99) with a digital broadcast receiver to deliver every local television signals, 23 popular cable channels, on-demand movies, video podcasts, and YouTube content for $19.99 per month.  Don’t care about the cable channels or live outside of Los Angeles?  The price drops to $4.99 per month.

Sezmi’s inventors believe the marketplace is ripe for a compromise between paying enormous cable bills or simply going without popular cable series and 24/7 news.

Besides, Sezmi’s founders argue, with free digital television stations increasing the amount of programming they offer and Americans wanting to watch more of their favorite shows on-demand, Sezmi’s super-sized DVR may provide enough live and recorded programs to more than satisfy average viewers.  If not, a budget-priced package of two dozen popular cable channels could give people enough courage to cut cable’s cord forever.

At its core, Sezmi’s set top box offers an enormous capacity hard drive that can store up to 1400 hours of SD (standard definition) and 340 hours of HD (high definition) programming.  It can also record one channel while watching another, and its software gives each member of a viewing family their own personal menu to access, record, and view the programming they want.

[flv width=”446″ height=”270″]http://www.phillipdampier.com/video/Sezmi All-In-One Personal TV Service.mp4[/flv]

A promotional reel introducing shoppers to Sezmi and its services.  (3 minutes)

Sezmi’s founders future-proofed their technology to be immune from broadband providers with Internet Overcharging schemes in mind.  Unlike other cord-cutting alternative set top technology that relies on broadband to access programming, Sezmi receives its live TV and cable network programming entirely over the air.  That keeps your local cable or phone company from stopping all the fun by imposing broadband usage limitations or charging steep penalties for watching too much of a competitor’s service.

Sezmi’s unique way of bypassing the local broadband provider is both innovative and challenging at the same time.  In the Los Angeles market, currently the only city where Sezmi provides cable networks, it leases leftover capacity from local stations to transmit the encrypted cable networks over the air to Sezmi receivers.  As long as you get a signal from a local station, the cable signals come along for the ride.

While that can work in Los Angeles, which has at least 26 full powered broadcast stations in the market from whom it can potentially lease capacity, most American cities have fewer than eight full power local channels.  If those stations can’t or won’t lease out their extra bandwidth, the cable programming service simply won’t work.

Part of the original business plan for Sezmi was to provide the set top box as a solution for phone companies like Frontier and other independents who want to deliver a video package without improving their current copper-based networks to deliver it.  Because the box will work reasonably well with a broadband connection of 3.1Mbps or higher, companies selling DSL broadband packages to customers could use Sezmi to deliver video content to subscribers.  In rural areas, relying on broadband delivery may prove more effective than over-the-air reception, and since the provider offers the service themselves, there is little chance they’d limit their own customers’ use of Sezmi.

Now Sezmi is directly being sold to consumers on Amazon.com and in Best Buy stores in the 35 U.S. cities Sezmi serves.

Sezmi's cable channel lineup is currently only available in Los Angeles.

Buyers are pre-qualified before purchase to determine if they’ll be able to receive a suitable broadcast TV signal required for Sezmi to operate.

A lengthy beta test in Los Angeles revealed many consumers loved the concept of Sezmi, but definitely discovered some flaws:

• There is no wireless connection supported for broadband.  You must use a supplied Ethernet cable to connect to a router;
• The remote control and its functionality was frequently reviewed as unintuitive and slow to respond to commands;
• Cable networks arrived only in standard definition video;
• Reception varied considerably depending on where one lives in relation to local broadcast transmitters.  Where TV stations use different transmitting locations, reception problems for one or more stations can be an issue unless you regularly reposition the antenna;
• Sezmi’s antenna module looks like a small bookshelf speaker and was more obtrusive than many thought necessary;
• Sezmi’s online viewing options are limited to YouTube and Sezmi-partnered content.  No Hulu or Netflix access is supported.
• Some reviewers felt charging $5 a month for a Sezmi package that only included free, over the air broadcast stations was unjustified when they also had to purchase the required set top box.  Many of these comments came when the box was priced at $299, however.  Sezmi has reduced the price of the set top box by half, so it’s likely the monthly fee includes some hardware cost recovery;
• The cable networks chosen do not include a lot of sports, although the company is currently negotiating with ESPN;
• Love it or hate it, one of America’s favorite cable channels – Fox News, is not included in the lineup although CNN and MSNBC are.  Their asking price may have been too high.

Sezmi’s co-founder probably expects that detailed level of critique considering the company’s business plan targets technology-minded “early adopters” who are well versed on technology and very opinionated about how it works.  They also feature prominently in the group of consumers that are now spending less time watching live television and less-willing to pay the asking price for it.

“The Sezmi offering is geared toward the next wave of consumers who want a very high-quality experience and the latest technology features, but are not willing to overpay for that,” said Phil Wiser, co-founder and president. “We’ve limited ourselves to really focus on that segment who are value-oriented and tech-oriented.”

Those who are value-oriented have responded positively to Sezmi.  Stop the Cap! reader John in Sherman Oaks, Calif., who notified us about Sezmi’s local media blitz says it’s exactly what he was looking for, and he’s enjoying some shows he missed from USA, TNT and Discovery.  But his wife misses her favorite HGTV and Food Network shows, which Sezmi doesn’t carry.

“I told cable to take a hike,” he writes. “I only watch perhaps a dozen channels and Sezmi has most of them covered for about 1/3rd of the cost the cable company charges, not including the fees, taxes, and renting cable’s set top boxes.”

John adds 24/7 access to live news programming was the one thing that held him back from dropping cable before Sezmi arrived.

Sezmi's Los Angeles Coverage Map (click to enlarge)

“I wasn’t going to give up CNN and MSNBC for breaking news,” he said.

Wiser’s comments to the San Francisco Chronicle seem to match John’s perceptions about the service.

“The key thing we realized with Sezmi is that consumers would not be ready to drop a paid TV experience purely for Internet offerings,” he said. “You need a bridge that includes a traditional cable experience with a more on-demand interactivity.”

Although John says he has few problems getting good broadcast signals from Mt. Wilson, where most Los Angeles-area broadcasters maintain their transmitters, some  residents further east in Riverside say their experiences were considerably worse.

“If you walked in front of the antenna, reception would drop out,” wrote one reviewer.  “A rooftop antenna is really a smart idea if you need reliable reception to make sure your shows get recorded,” wrote another.

The potential impact Sezmi could have on cable and phone company pay television packages varies depending on which analyst you choose.

Mike Jude, with Frost & Sullivan, told the Chronicle devices like Sezmi will probably remain niche products that will have trouble attracting interest from traditional cable subscribers.

But Gerry Kaufhold, an analyst at In-Stat, said Sezmi’s innovative approach could find a significant audience especially with more casual TV viewers. He said 15 percent of viewers don’t pay for TV while 35 to 40 percent of cable users pay about $40 for basic cable. Both could find a lot of utility in a product like Sezmi, he said.

“Anyone that gets a big digital cable (package) is unlikely to leave, but people who get basic cable may be willing to make that jump and cut some 20 bucks off their bill,” Kaufhold said. “They can also get people who don’t pay for TV to try it.”

With a Yankee Group study looming that estimates one in eight Americans will disconnect or downgrade their paid TV services by April, devices like Sezmi could threaten industry profits even sooner than some analysts think.

Service Coverage – Click links for respective channel lineups

[flv width=”640″ height=”380″]http://www.phillipdampier.com/video/Sezmi Services Described.flv[/flv]

Sezmi Explained: This series of videos walks you through all of Sezmi’s features and services.  (12 minutes)

[flv width=”640″ height=”380″]http://www.phillipdampier.com/video/Sezmi Setup.flv[/flv]

Sezmi’s setup is explained in this video, guiding you through the process of hooking up the equipment.  (10 minutes)

City by city, Comcast is continuing its quest to make the switch to digital cable for an increasing portion of  its cable programming lineup.  Although the majority of subscribers will encounter letters from Comcast switching only a portion of the analog cable lineup, it’s a safe bet Comcast is looking to an all-digital future sooner or later.

Coming less than a year after the switch to digital broadcast television, the march to digital cable is causing confusion for subscribers who don’t understand the difference.

Analog cable television has been around for more than 20 years in most American cities.  It’s the kind of cable television that doesn’t usually need a converter box on top of the TV.  Just plug the cable line into the back of your television set, let the TV find and map available channels, and you can use your standard TV remote to enjoy basic or enhanced basic cable television.  Of course, if you subscribe to premium channels like HBO or Showtime, a box is required to descramble the encrypted signal.

Cable operators began launching “digital cable” in the 1990s, expanding the lineup of programming with hundreds of new channels that are compressed into a digital format, with a half dozen or more digital channels fitting in the same space used by just one analog channel.  Space on the cable line is getting increasingly crowded as cable systems launch new HD channels, support telephone service, and expand broadband service and speeds.

To make room, several of those old school analog channels have to go… digital.  If you already have a set top cable box — you probably won’t even notice the changeover.  But if you don’t have one of those boxes in your home, and your television doesn’t support CableCARD technology, Comcast has some bad news for you.  Sooner or later, you’ll either have to get a set top box or lose an increasing number of channels on your cable dial.

Comcast's digital adapter doesn't support HD channels

Comcast’s digital cable expansion is their solution to the traffic jam on their cable lines.  Some other cable companies take a different approach.  Knowing that many customers hate cable boxes, they’ve left analog channels alone, instead transmitting digital channels only to those homes actually watching them.  If nobody in your neighborhood is watching Current or Fox Business News, why waste the space to send those signals down the line to… nobody.  Time Warner Cable doesn’t for many of their digital channels.  If one lives in an eclectic viewing neighborhood, there are problems with this approach.  Potentially, if enough homes want to watch these lesser-viewed networks, and Time Warner runs out of the space it sets aside to carry a certain number of these channels, the subscriber will see a video busy signal — a message stating the channel is temporarily not available, at least until someone nearby changes channels, making room for the network you want to watch.

Comcast's digital solution is a problem for those who hate "the box" for weaving a rat's nest of cables behind one's television.

In most communities, Comcast will provide up to three digital adapter boxes at no charge, if you install them yourself on each television in your home.  Additional boxes are usually $1.99 per month.  That’s fine if you are still using an older television set and don’t care about HDTV programming — the digital adapters Comcast provides don’t support HD.  If you do want HD channels, you’ll need Comcast’s traditional converter box, which runs about $7 a month per television, or a CableCARD, if your television supports it.  Comcast also has elaborate instructions for customers with multiple TV inputs to support both standard and high definition signals, some through the digital adapter, others not, but it requires a lot of cables.

Customers who loathe boxes and don’t want to pay for them are upset by all of the changes, and either must cope with the new box, or gradually lose more and more analog channels as the conversion continues.  Broadcast basic customers getting only local channels from Comcast are unaffected by all of this, at least for now.  Owners of modern HD television sets aren’t impressed either — their sets, capable of receiving QAM digital cable channels without a box are no help because Comcast encrypts its digital cable lineup in many areas.

But the company still thinks of the project as a service upgrade for its customers, even dubbing it Project Cavalry on their company blog. When one customer wondered why the new equipment wasn’t available in his area yet, a company blogger responded, “We will not be “cherry picking” … all our systems will get the benefits. The Comcast Cavalry just hasn’t swept through your area yet, stay tuned.”

When asked why the devices don’t support HD channels, the response:

The DTA was designed as a low-end, basic device to do one thing and one thing only … convert digital signals back to analog for display on an analog TV. That’s all, no higher end outputs, no VOD, no HD, no interactive guide. Keeping the device simple as described is what kept the price down enough that we can provide so much free equipment to our customers. Also, the RF output makes it compatible with the absolute maximum number of TVs, which is critical to the program. As a digital device, however, it does offer dramatically-improved picture quality over analog even through the RF output.

[flv]http://www.phillipdampier.com/video/Comcast DTA Tutorial.flv[/flv]

Watch Comcast’s tutorial on installing their Digital Adapter. (4 minutes)

[flv width=”640″ height=”500″]http://www.phillipdampier.com/video/Comcast Digital Migration.flv[/flv]

Watch a coast-to-coast series of news reports detailing the Comcast transition to digital, starting with the message customers see on their now-missing favorite channels. (15 minutes)